Unsticking what's stuck: head laxatives for the blocked writer
Author: Jody Wallace
Original Publication Date in Love Notes: March 2002

The week before this month’s SFR Newsletter (Science Fiction Romance Newsletter), I was really busy.  I wasn’t boning up on the Sapphire nominees (that was December), I wasn’t working on my article, I wasn’t tending a sick baby, I wasn’t moving to a different city.  No, I recently signed up with my local RWA chapter, which has a “Book In A Week” program.  At the beginning of the week, each writer sets his or her own goals (stretching is encouraged) and then reports daily on the progress.  I thought, no problem, two chapters, and this will force me to sit down and write instead of eat, cook, go to work, clean house, watch television, and so on and so forth.  However, I did not count on having the dreaded Writer’s Block, even though I knew my plot was as stuck as a truck in the mud and that’s why I’d been putting off my book anyway. 

So this month, I’m going to present you with a very different (for me) sort of article.  Instead of telling you about fifty-seven different websites, books or offshoot topics, I’m going to list several writer’s block remedies that are proven to work (by me). 

1)  My favorite I discovered when I was working on the SFR Choose Your Own Adventure.  When you write short episodes with choices at the end and then write out all those choices, you begin to see a myriad of reasonable directions your characters can take.  So try thinking of your stuck spot as a Choose Your Own Adventure:  come up with three logical selections of what could happen next.  Write all three scenes, making them relatively succinct, then come up with choices for each of those scenes.  When the episodes are short, it is not as intimidating to tackle them.  Likewise, since this is sort of a “game” you can drop your serious “Great American Novel” attitude, which frees you up to be very, very creative.  Just be aware that you run the risk of becoming fond of *all* your divergent paths!  

2)  Try to (a) go to sleep, (b) get frisky with your honey, or (c) drive somewhere in annoying traffic.  These are three activities during which it is actually inconvenient for your stagnant mind to have a breakthrough concerning the plot of your novel.  And thus, it increases your chances that the breakthrough will occur.  It’s a Murphy’s Law thing, and you might as well use it to your advantage.  It’s your decision how to postpone your inspiring activity and flee to your computer, your legal tablet or your fast food napkin.  If that postponement results in a very annoyed honey, just remind him or her that’s what life is like with one of the world’s greatest writers.  Then duck. 

3)  Start a poem, a short story or another novel, satisfying your stymied itch to invent.  As soon as you become involved in that endeavor, your first story will probably light up like Las Vegas at night, and you will have to decide which one of these tasty morsels to focus on.  This brain laxative functions like the previous suggestion in that, during the creation process of a different text, it becomes inconvenient for you to return to your initial one.  But a bonus is that there are no honeys to get mad at you and the new thing you write might have more potential than the old thing.  And again, it’s your decision which one of these threads to follow. 

4)  Tell another person about the plot of your book and its characters.   It is important that this person be your friend, because otherwise she will not be able to sit through all the “um’s” and “you know’s”, but it is equally important that this person not be familiar with your plot and not be a fellow writer, or she might try to tell you about her own immobile narrative in sympathy!  In fact, if this person’s favorite reading material is something other than your chosen genre, you will have even more success.  In explaining your plot to your friend, she will probably ask you some very pertinent questions and might suggest a few actions your characters can take next.  (If that suggestion is, “Your hero should go soak his head,” be aware that you might want to tone down his alpha tendencies!)  Hearing yourself fumble for the right words might also bring to light areas where the book needs some reworking, anyway.  After you do that reworking, which you can approach as a task instead of breaking new ground (Must find every instance where hero is mentioned and give him a redeeming quality), the reason for your plot stickage might even disappear. 

5)  Change your writer’s hat for one you don’t want to toss to the dog as a chewtoy.  Write an in-depth book review of a novel similar to yours or an article about some aspect of the romance genre.  In forcing yourself into scholarly or instructive mode, it transfers you to an entirely different train of thought.  This is not like suggestions two and three in that you will want to write when it is inconvenient or like suggestion three in that it finds another outlet for your urge to create, exactly.  This one changes your mental gears, maybe even your mental vehicle.  And since there are plenty of markets online for both reviews and articles, you can even get it published and point to it, saying, “See?  I’ve been busy!”  

6)  Last but not least, be sure to change your oil!  Wash your car, go for a brisk walk, pull weeds in the garden, mop the floors by hand, run around the house screaming -- do something that gets your blood flowing and *really* gets your mind off the feelings of failure you are probably experiencing.  Likewise, get away from that blank slate and perform some task that is not only useful but has a definite beginning and ending, which will ramp up your sense of accomplishment.  Household tasks that have to be done everyday don’t really work for this... unless you don’t do them everyday!  And remember, you need to take a break every 3,000 words or miles, whichever comes first, or the black smoke that begins to come out of your tailpipe is going to offend everyone around you.    


Love Notes, the official monthly newsletter of Music City Romance Writers, is provided to paying members free of charge. If you are an MCRW member and would like to submit an article to Love Notes, visit the main newsletter page for more information. If you would like to reprint one of these articles in your RWA chapter newsletter, please give proper credit to both the author and the original source. For any other uses, please contact the president 

 
  

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